Abstract composition of layered archival documents and gallery exhibition cards in muted purples, warm grays, and soft cream tones, suggesting a curated historical record

Exhibition History

An archive of past exhibitions tracing the gallery's programming from 2012 through 2014, featuring solo and group shows by re-emerging older professional artists.

Past Exhibitions

Browse the gallery's exhibition record — a timeline of shows that have shaped our commitment to artists whose work is judged solely on quality and impact.

2014

  • Works on Walls 2014
    Group exhibition
  • Intimate Information
    Hedy O'Beil
  • Recent Paintings
    Hedy O'Beil
  • Un-Themed
    Robert Ludwig, Robert Petrick, Salvatore Romano
  • On Paper
    Hedy O'Beil
  • Photographs
    Flo Fox
  • Sculpture
    Sally Weiss

2013

  • Works on Walls 2013
    Group exhibition
  • 5 x 5 x 100
    Group exhibition
  • On the Wall
    Carol Massa
  • On the Wall
    Boren, Lane & Rich Petrick
  • Solo exhibition
    David Cerulli
  • Solo exhibition
    Angela Valeria
  • Solo exhibition
    Solomon Ethe
  • Solo exhibition
    Suej
  • Solo exhibition
    Mitch Lewis
  • Solo exhibition
    Jonathan Bauch
  • Solo exhibition
    Abe Nover
  • Solo exhibition
    Douglas Brin
  • Solo exhibition
    Leslie Shaw Zadoian

2012

  • Works on Walls 2012
    Group exhibition
  • Solo exhibition
    Eva Deutsch Costabel
  • Solo exhibition
    Sara Petitt
  • Solo exhibition
    Vera Sapozhnikova
  • Solo exhibition
    Barbara Coleman

The exhibition history of a gallery reveals much about its curatorial philosophy and enduring commitments. For this gallery, the archival record from 2012 through 2014 documents a deliberate focus on artists whose careers have matured over decades, yet whose work continues to demand attention on its own terms. Rather than chasing trends or emerging names, the programming during these years centered on painters, sculptors, and photographers who had long been refining their practices away from the spotlight. Each exhibition was curated around the intrinsic strength of the work itself, allowing the visual language of pigment, texture, and form to speak without the distraction of thematic gimmicks or market calculations. This period established a foundational approach that still guides the gallery today.

The group exhibition format played a significant role in the gallery's early programming, bringing together multiple artistic voices within a single spatial conversation. These collective presentations allowed viewers to trace connections across different mediums, from abstract painting and figurative sculpture to intimate photography and works on paper. By juxtaposing established practitioners alongside one another, the gallery created dialogues that transcended any single style or school of thought. Visitors could move through rooms where the interplay of light, material, and color revealed unexpected harmonies between artists who might never otherwise be shown together. These group shows became a hallmark of the gallery's identity, demonstrating that quality of execution matters more than adherence to any particular movement or market category.

Solo exhibitions during this era offered deeper dives into individual artistic journeys, allowing each practitioner's unique vision to occupy the full attention of the space. For artists who had spent years developing their craft, often away from major commercial centers, these presentations represented meaningful opportunities to share a concentrated body of work with a discerning audience. The gallery's commitment to painters working with pigment and light, sculptors exploring stone and texture, and photographers documenting intimate human experiences ensured a diverse yet coherent program. Each solo show was treated as a serious contribution to the broader cultural conversation, with installation decisions made to honor the specific qualities of the artworks rather than imposing a uniform gallery aesthetic.

The years 2012 to 2014 laid essential groundwork for the gallery's ongoing mission to champion artistic merit above all else. By documenting these exhibitions and preserving their memory, the gallery maintains a transparent record of its curatorial evolution and the relationships it has nurtured over time. This archive serves not merely as a historical ledger, but as a statement of values, demonstrating that meaningful art does not expire with the passing of seasons or the shifting of market winds. For collectors, scholars, and casual visitors alike, reviewing this exhibition history offers insight into how a gallery builds its identity show by show, year by year, always returning to the fundamental question of what makes a work of art truly enduring.

Explore Current Shows

See what's on view now and what's coming next at the gallery.